Two Or Three Spectres
Peter Hammill

Sod the music, said the man in the suit,
I understand profit and without that, it's no use,
Why don't you go away and write commercial songs;
Come back in three years, that shouldn't be too long...
He's a joker and an acrobat,
A record exec. In a Mayfair flat
With Altec speakers wall to wall,
A Radford and a Revox and through it all he plays
Strictly nowhere Muzak.
Hey, listen, baby, this band's got a lot of soul...
If we can beat that out of them I see a disc of gold!
Give them an image, maybe glitter, maybe s**,
Maybe outrage, maybe elegance--
How about as nervous wrecks?
Signs up the product at two percent,
Justified by vinyl shortage and the increased rent
On the yacht he has to hire to make his pitch at Midem
And all the press receptions for his business friends
Who spill their Taittinger upon the floor
While the band sip English lager just outside the door.
Treble, alto, bass clefs on the page,
Crotchets, quavers, minims all the rage
But you'll never find a -L- in the score--
It's there when it's strictly merchandise,
Through all the propagated lies 'bout what the whole thing's for!
He'll make you a star, he'll make you so famous
That all you desire is to be left nameless,
Drained of all you felt you had to offer at the start.
Not without blame, either, are the gentlemen of the press:
You can talk about the state of music,
They will writer about your dress.
Play them the new album, they will say it's great (or not)--
When the articles come out, they're all about
How many dogs you've got.
God to keep the human interest high,
And the hacks are only too willing to comply,
Pander to the ego, build up frail men as gods--
But somewhere in the process, the prime purpose is forgotten.
Groupies offer their bodies, the hangers-on their coke;
It's all very jolly--what a joke!
Fellini creatures cluster round the dressing-room.
The heavenly bodies all got to have their moons.
In the cult of the superman the music plays a supporting role
And far more important is the shape of his nose,
The size of his codpiece and the cut of his clothes...
Soul and feeling always take second place
To the bump and grind of a Fender bass.
Frankly, most musicians bore me--but not as much as those
Who chase the glory to bask in reflected light,
Making the man much more important
Than his arpeggios and mordants,
When it's the other way that's right.
On the values by which this world makes its heroes
Then the best violinist ever was Nero,
Because he had the most Press
And his fire gimmick was simply the best.
We got the live thing too,
The Human Zoo:
Ten thousand arms are raised, just like the Hitler Youth--
Ten thousand peace signs mark the entry of the sax;
Ten thousand peace signs,
But they're different from the back


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Lyrics by Peter Hammill

  (In The) Black Room   (No More) The Sub Mariner   (On Tuesdays She Used To Do) Yoga   A Louse Is Not A Home   A Way Out   Accidents   Act Five   Act One   Act Six   Again   Again   Airport   Autumn   Autumn [*]   Been Alone So Long   Been Alone So Long   Betrayed   Birds   Birthday Special   Breakthrough   Candle   Central Hotel   Child   Crying Wolf   Curtains   Description   Dont Tell Me   Down in the Sewer   Dropping The Torch   Easy to Slip Away   Empress's Clothes   Faculty X   Faint-Heart and the Sermon   Ferret and Featherbird   Flight   Fogwalking   Forsaken Gardens   Four Pails   Future Now   Gaia   German Overalls   Glue   Golden Promises   Green Fingers   Handicap And Equality   Happy   Happy [#][*]   Happy Hour   Hesitation   His Best Girl   I Once Wrote Some Poems   I Will Find You   I Will Find You   Imperial Walls   Imperial Zeppelin   Imperial Zeppelin (chris Judge Smith)   In Slow Time   In The End   Institute of Mental Health, Burning   Jargon King   Just Good Friends   Labour Of Love   Losing Faith in Words   Lost And Found   Man-Erg   Modern   My Experience   My Favourite   No Moon In The Water   Nobody's Business   Not For Keith   Not The Man   Oasis   Ophelia   Ophelia   Paradox Drive   Patient   People You Were Going To   Pompeii   Porton Down   Re-Awakening   Re-Awakening [#][*]   Red Shift   Red Shift [BBC Radio One John Peel Session][*]   Rubicon   Rubicon [BBC Radio One John Peel Session][*]   Seven Wonders (Bonus Track)   She Wraps It Up   Shingle Song   Sign   Sitting Targets   Slender Threads   Solitude   Something About Ysabel's Dance   Spirit   Still Life   Stranger Still   Summer Song (In the Autumn)   Sunshine   Sunshine [#][*]   Tapeworm   The Birds   The Birds [#][*]   The Comet, The Course, The Tail   The Future Now   The Institute of Mental Health, Burning   The Jargon King   The Lie (bernini's St Theresa)   The Old School Tie   The Spirit   The Unconscious Life   This Side Of The Looking Glass   Time For A Change (chris Judge Smith)   Time Heals   Time to Burn [Instrumental]   Traintime   Viking   Vision   What I Did   What's It Worth   Wilhelmina

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